And yet every now and then he would be arresting. In his prime, Joan felt, he must have been a great preacher. Even now, decrepit and wheezy, he was capable of flashes of magnetism, of eloquence. The passage where he pictured the Garden of Gethsemane. The fair Jerusalem, only hidden from us by the shadows. So easy to return to. Its soft lights shining through the trees, beckoning to us; its mingled voices stealing to us through the silence, whispering to us of its well-remembered ways, its pleasant places, its open doorways, friends and loved ones waiting for us. And above, the rock-strewn Calvary: and crowning its summit, clear against the starlit sky, the cold, dark cross. “Not perhaps to us the bleeding hands and feet, but to all the bitter tears. Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.” “Can you see him bustling up?” he answered with a laugh; “organizing himself into a body, and working the thing out from the point of view of the public weal? I’ll tell you what nine-tenths of him would do: grow just as much or little as suited his own purposes; and then go to sleep. And Protection would be his security against ever being awakened.”!

“It’s quite easy,” said Joan, “with your beauty. Especially if you’re not going to be particular. But isn’t there danger of your devotion to your father leading you too far? A marriage founded on a lie—no matter for what purpose!—mustn’t it degrade a woman—smirch her soul for all time? We have a right to give up the things that belong to ourselves, but not the things that belong to God: our truth, our sincerity, our cleanliness of mind and body; the things that He may one day want of us. It led you into evil once before. Don’t think I’m judging you. I was no better than you. I argued just as you must have done. Something stopped me just in time. That was the only difference between us.” “I was afraid you had forgotten how to do it,” she laughed, when at last he released her. “Do you know, you haven’t hugged me, Dad, since I was five years old. That’s nineteen years ago. You do love me, don’t you?”

“I don’t suppose you will agree with me,” he said. “Somehow I felt I had to.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. He nodded. “I thought you were an artist,” he said. “Don’t let them ever take your drum away from you. You’ll go to pieces and get into mischief without it.”